Grand themes, and specific contexts

Having recently attended Fiona Thackeray’s workshop at Bookmark Blair on ‘Place’, I am now thinking about universal themes and specific contexts. If we look at Eight of Cups, then the grand theme might be ‘attachment’ or ‘mid life’ and the specific context is the lives of six girls who meet at University in Edinburgh in the 1970s.

Our current work-in-progress, Never Do Harm, will then be about betrayal, and the setting – the relationship between two doctors in the modern medical world in Scotland.

Talking of Place, we were delighted to be invited by Nancy Christie who had read and enjoyed our blog, to provide a stop off for her on her digital world tour. She hopes to travel through the ether to England, Scotland, Europe and the World during October!

The theme of her collection of Short Stories Travelling Left of Centre (or to be more exact ‘Traveling Left of Center!) is Fate and the context is people who are unable or unwilling to seize control over their lives, such that they allow fate to dictate the path they take—often with disastrous results.

This collection of stories includes:

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You know creative genius when you see it

You know creative genius when you see it. The authors whose words transport you so easily to other previously unknown worlds with their descriptive powers. The artist whose painting captures your eyes as you pass and keeps calling you back as you try to move on. The dancer who can hypnotise and thrill through a seemingly effortless display of balletic grace and energy. Oh to have their gifts.

On my annual trip to the Edinburgh Fringe I was fortunate enough to experience two awesome performances from singularly talented writers and performers. Justin Butcher in Scaramouche Jones unveiled his creation’s fascinating character during a fast paced and richly coloured journey through his 100 year life. I hung on to every single word so as not to miss a single twist or delight.

Bob Kingdom was Dylan Thomas for the 90 minutes of Dylan Thomas, Return Journey – amazing physical resemblance secondary to the mellifluous voice and his skilful weaving of the poet’s wonderful writing into an enactment of scenes from his latter years. I came out of the little makeshift theatre in awe of both Thomas and Kingdom.

So when Angela Jeffs asked me just recently ‘why do you write?’ I might have answered – ‘Yes, why do I? When I could never aspire to the literary heights.’

Here is my answer –

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